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Sensory Beyond Sight

A soft spotlight follows a lone figure moving slowly, tentatively, around a darkened space. Suddenly, the dancer turns and propels himself forward in a burst of energy toward a sound emanating from a corner of the room. As more sounds occur, the dancer perceives and interprets the environment, physical gestures triggered from audio prompts, creating choreography from spatialized sound.

The creative and performing arts have often been effective in communicating the range of challenges faced by visually impaired individuals, but the arts have not been used as a tool to facilitate and drive research. This project spotlights the potential of creative collaborations across a range of technologies and disciplines, amplifying the arts and engaging the too often underserved visually impaired community. We will explore ways our individual areas of expertise can work together, across the senses, to develop novel ways of creative, inclusive production, prioritizing audio and embodied movement, and lay the groundwork for future inclusion of the disabled in promoting innovative research and understanding.

Midterm report

Sensory Beyond Sight workshops, October 24th, 2024: 

With overall 15 participants representing diverse disciplines and various units within the VT community, e.g., Center for Human-Computer Interaction, Center of Educational Networks and Impacts, School of Architecture etc., the workshops were a big success. Everyone involved was highly engaged and found the experience both informative and insightful, with many describing it as "life changing." Prof. Andrew Gipe-Lazarou, inspired by his own experience during the workshop, expressed interest in hosting a workshop at the VT School of Architecture.

Sensory Beyond Sight Workshops (photography by Janet Biggs)
Sensory Beyond Sight Workshops (photography by Janet Biggs)

Bright future for Misregistration project

We have had regular meetings, both on Zoom and in person, and are working to realize technical elements of the final installations:

  • immersive spatialized sound with speaker arrays for more isolated sound, e.g., interference patterns, building up on sounds from the CCI Art Program project Hidden Within, and addition of new music compositions in collaboration with composer Carter Roberts, an undergraduate student in the School of Performing Arts,

  • furthering the project with external funding and presentations from the Bechtler Museum of Modern Art in Charlotte, North Carolina,

  • visual elements for upcoming public facing events, including large-scale video imagery of moiré patterns and interactive imagery using tools such as Jitter,

  • an artist’s book that documents the project with imagery, written text, braille, and augmented reality.

Upcoming major public facing events:

  1. Art Installation and Live Performance(s) in the Moss Arts Center, April 2025.

  2. Art Installation and Performance at Bechtler Museum of Modern Art in Charlotte, July 2025 (tentative).

  3. Hidden Within / Misregistration installed in the Taubman Museum of Art in Roanoke.